9th Dimension
_I: An atom, a planet, a galaxy...
_AM: It's all the same. Everything is One. It is the Universal Inspiration and Exhalation…
_I: The Microcosm is the inspiration that is projected in the exhalation of the Macrocosm. Ham… Het… Hum…
_AM: The Ninth Dimension.
_I: How to understand it? I know that in Khemul mythology (from Atlantean Egypt), the 9D was known as “The Breath of God”. The Divine Sigh that writes all things.
_AM: “Hologram.” Like we have already said. But here, the only real and possible thing is done. Here the hologram finds its origin, its beginning and end, its logic and meaning, here it is tangible. Divine Breathing is found in the process of Inspiration (Ham), the process of support (Het) and the process of exhalation (Hum). History explains that the entire Universe is a constant invisible breath that contracts towards the microcosm, towards the very essence of consciousness, the mind, the imagination; and there he contemplates all things together, the wonder that he is capable of achieving, in that neutral moment, of inaction, holding everything; and then, recognizing each of its extremes, it allows itself to exhale, releasing the contained energy, projecting itself outwards, to the Macrocosm. The internal and external are nothing more than a projection of the breath of the mind.
_I: Breathe… Breathe in again… Aspiration… “Spiratio”: Latin origin of “Spirit”. This is where the concept of the Spiritual Universe is born, of God as the Great Cosmic Spirit... It is the great Breath, and we all aspire to be He, She... It.
_AM: To be the Ninth Dimension. The Holographic Universe. To understand it, you must contemplate the origin of all the toroids that make up the 8D, arising from the 7D. United, they create a sphere that, while not perfect, draws the confines of the curvature of the constant of time and space. It is what gives the idea of eternity, not because of its expansion to the infinity of space, but because of the constant contraction and distension of the toroids, which return again and again to manifest themselves in all directions, feeding each other. The light emanating from the potentiality of the 7D, perfuming the essence of the 8D with data, are nothing more than codes in constant expansion and contraction for the 9D. This is where the conception of God is understood, but not the one that comes from the human notion of “Day”, but the God who contains everything: “Elohá Elohim”, the Great Am among all those who Are, God of Gods. For the first philosophers of Earth, God was not an Individual, but that which unites all individuals. They saw that the cycles of nature had a constant pulse and rhythm, from the seasons, the cycle of water, the movement of the sun and the moon, the breathing of a baby, the growth of a plant, the life of a mountain, everything. , on different levels, seemed to be alive, breathing. That is why God was known as the Eternal Way of the Great Breath: “Sau Isnah”.
_I: I remember that this is the way we greeted each other in Khem 12,000 years ago: Sauisnah… Like a more complex “good morning”, in which we wanted to say: may the divine path be expressed in you, or something like that.
_AM: The Universe is just breath, and on a holographic level, you can understand that every shape you touch is the contraction of time and space. Every energy you feel is the contemplation of cosmic manifestation. Every vibration you resonate is the expansion of constant essence. From Dimension 9, everything is subtle, everything is imaginary, everything is...
_I: …Mind.
_AM: That's right. This is where imagination, Mentalism, Correspondence, Vibration, Rhythm, Cause and Effect, Polarity, Generation arise, that is, the 7 Universal Laws. Here they take shape, they make sense, in the holographic existence of an eternal inspiration that designs in each exhalation the beauty of what your senses are capable of perceiving, and all the wonders that they are not yet able to process.
_I: It is very difficult to understand this dimension.
_AM: Because there is nothing that as a human you can experience on your own skin. But perhaps you can understand it with the simple image of Cinema.
_I: The Cinema... Like... Go to the movies?
_AM: Cinema comes from the Greek word “Kiné”, which means “movement”. Cinema is the Seventh Art, after Architecture, Sculpture, Painting, Music, Dance and Literature, you find Cinema. This refers to the Theater but captured in the editing of a post-production that is recorded on a synthetic celluloid film.
_I: How?
_AM: The cameras managed to record images by recording the light reflected from moving objects thanks to photonic particles. By unifying photosensitive layers to different ranges of light rays, that is, different colors, it is possible to trap the light by registering it on these layers of acetate cellulose, covered by a very thin skin (called in Latin: pellicula). By capturing these images in fractions on a roll that rotates in front of the theater performed, focused on the lenses of a camera that precisely focus the light towards the specific point on the celluloid film, the idea of movement can be recorded (which gives rise to the English “movie”: film). Once registered, it is time to project it. What the light, in its irradiation, recorded on a film in circular motion, is projected in a cinema by placing a powerful light behind the moving cellulose, which makes it possible for you to see that recording of light moving on a cloth on the wall. . And the Theater becomes intangible, a holographic art, that even knowing that you contemplate photons on a fabric on a wall, awaken ideas, emotions, wills in the spectators. Do you dare to analyze this as if they were dimensions?
_I: Let's see... I suppose, then, that Actors and Actresses are an individual who plays at being many, other personalities; which reminds me of the Sixth Dimension. They all follow a Script, which is the Fifth Dimension, and a theatrical story has no temporal order, it can play with times, go from the future to the past, so the story is in Four Dimensions. The scenery is in the Third Dimension, just like those who play the roles. The general idea is the structure or theatrical intention, which is the Second Dimension. The story has a beginning, middle and end, beginning and end, which makes it First Dimension. Now, returning to the Sixth, I can understand that the reason why I see the actors and actresses is thanks to the photons, the colors, the light that reflects on them and at different frequencies allows me to observe it; that is, the Seventh Dimension. The celluloid film that rotates incessantly, recording every piece of Light in the thin photosensitive layers, is the Eighth Dimension capturing every information of what happens, recording everything. And the same powerful light of the 7D is what, through the toroidal movement of the 8D, projects the light holograms that allow me to see the other dimensions on a screen; and that projection is 9D.
_AM: Perfect.
_I: Understood.
_AM: It is the most human way in which you can see the operation of the 9D. Now, it is a closed circuit, that is, the same projection that you see on the canvas on the wall is what causes sighs in the spectators and inspires some to become directors or performers of new cinematographic films. This drives them to create new ideas, new figures, scripts, performances, stories, and records that inspire others to tell their own story, to live their own production.
_I: So from the 9D we find the inspiration to produce, create, manifest our stories... It is as if at some point, inspired by the stories of others in the Universe, we set out to create our own, and now we find ourselves acting in our own movie, which is nothing more than another projection in the Cosmic mind.
_AM: The 9D is the most inspiring Story of all… So, if you want to connect to this dimension, you know what you have to do…
_I: …Inspire…
_AM: …Behold…
_I: Exhale…